BALILLA PRATELLA PDF

Biography[ edit ] Born in Lugo, and deeply impressed by the folk music he heard in his childhood in his native Romagna , now part of Emilia-Romagna. Verdi in Ravenna, where Pratella remained until his retirement in Pratella also made modern performance arrangements of early polyphonic music. Pratella joined the futurist group in and became one of its most ardent activists, publishing three tracts which were combined into the pamphlet Musica Futurista in Inspired by Pratella, Luigi Russolo created his Intonarumori Noise Intoners in and wrote his own manifesto, The Art of Noises , introducing the futurist concept of introducing noise into music. By contrast, the Italian symphony was dominated by opera in an "absurd and anti-musical form".

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Biography[ edit ] Born in Lugo, and deeply impressed by the folk music he heard in his childhood in his native Romagna , now part of Emilia-Romagna. Verdi in Ravenna, where Pratella remained until his retirement in Pratella also made modern performance arrangements of early polyphonic music. Pratella joined the futurist group in and became one of its most ardent activists, publishing three tracts which were combined into the pamphlet Musica Futurista in Inspired by Pratella, Luigi Russolo created his Intonarumori Noise Intoners in and wrote his own manifesto, The Art of Noises , introducing the futurist concept of introducing noise into music.

By contrast, the Italian symphony was dominated by opera in an "absurd and anti-musical form". The conservatories encouraged backwardness and mediocrity. The publishers perpetuated mediocrity and the domination of music by the "rickety and vulgar" operas of Puccini and Umberto Giordano.

In the face of this mediocrity and conservatism, Pratella unfurled "the red flag of Futurism, calling to its flaming symbol such young composers as have hearts to love and fight, minds to conceive, and brows free of cowardice". He did so via several short manifestos, a key example of which was Musica futurista Manifesto of Futurist Musicians , published in The main ideas of his musical manifestos were: for the young to keep away from conservatories and to study independently; the founding of a musical review, to be independent of academics and critics; abstention from any competition that was not completely open; liberation from the past and from "well-made" music; for the domination of singers to end, so that they became like any other member of the orchestra; for opera composers to write their own librettos , which were to be in free verse ; to end all period settings, ballads, "nauseating Neapolitan songs and sacred music"; and to promote new work in preference to old.

Although he composed seven operas, Pratella was not a particularly prolific composer. In addition to his futurist works, operas and folk choruses, he left a small but respectable output of chamber music, piano music, sacred music and songs.

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Francesco Balilla Pratella

Dopo aver studiato con Mascagni si trasferisce a Parigi , dove conosce Luigi Russolo ed entra a far parte a pieno titolo del gruppo degli artisti futuristi. Nel frattempo, nel , viene pubblicata la raccolta Le canzoni del niente, liriche musicate da F. Balilla Pratella, con testi di Antonio Beltramelli. Scariolanti al lavoro.

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